Wednesday, April 3, 2013

Starting a Nonprofit - Saturday, April 6 - Reporter Newspapers

3-4 p.m. ? Participants learn about the seven essentials all nonprofit business owners must know to ensure the success of their organization. This is a basic class for anyone interested in starting a nonprofit business as well as those who can use additional insight into growing their organization. Free. For those 18 years and older. Dunwoody Public Library, 5339 Chamblee Dunwoody Rd., Dunwoody, 30338. Call 770-512-4640 for details.

Facebook Comments:

comments

Source: http://www.reporternewspapers.net/2013/04/01/starting-a-nonprofit-saturday-april-6/

vanderbilt evan mathis staff sgt. robert bales jason russell norfolk state st patrick s day parade duke

Canon PowerShot A1400


The Canon PowerShot A1400 ($109.99 direct) isn't the type of camera that a lot of folks are going to get too excited about. It's a budget shooter that's light on fancy features like Wi-Fi and GPS, and it doesn't pack a super-fast lens or a big image sensor. What the 16-megapixel camera does do is capture sharp images, and more importantly it's easy enough that anyone can use it. There's an optical viewfinder, a rare find in all but high-end digital cameras, and because it uses AA batteries you can easily find power even if you're in a remote area. It's not perfect; the HD video is a bit disappointing and photos are rather noisy, even at lower ISO settings, but at $110, it's tough to complain. Still, the A1400 is impressive enough to earn our Editors' Choice award for budget cameras, a title last bestowed to the now-discontinued Panasonic Lumix DMC-S3.

Design and Features
The A1400 is a bit bulkier than some other compacts?but not by much. It measures 2.4 by 3.7 by 1.2 inches (HWD) and weighs 6.1 ounces. The Samsung DV150F is slimmer at 2.2 by 3.7 by 0.8 inches; the PowerShot's extra depth is due to its AA power source. The 5x zoom lens covers a 28-140mm f/2.8-6.9 (35mm equivalent) zoom range. The f/2.8 aperture on the wide end captures a decent amount of light, but the aperture diminishes quickly as you zoom?limiting its usefulness when zoomed all the way in to brighter light. This is compounded by the lack of optical image stabilization?a feature found in more expensive cameras that compensates for movement when shooting without a tripod.

The optical viewfinder zooms along with the lens, but it should be viewed as an approximation of what the camera will capture. The lens captures a bit more than what the viewfinder shows, so expect to crop images a little to match what you are seeing. You should also avoid using the optical finder for close-up macro shots?you'll see an area that is to the top and right of the actual image frame through the viewfinder due to the optical property of parallax. The rear LCD is 2.7 inches in size, smaller than the 3-inch display found on the Olympus VR-340. Its resolution is 230k dots, which isn't as clear as the 460k and 920k-dot displays found on more expensive cameras. It's pretty bright at its default setting, and the brightness can be increased in the menu. On extremely bright days, when even the best LCDs are hard to see, the optical viewfinder is there to make it feasible for you to capture photos.

loading...

?

By default the camera is set to Auto mode, which takes care of most settings, so you can choose between no flash and automatic flash in this mode, but nothing else. Turning Auto mode off lets you control the camera via Program mode, or to select from numerous preset Scene modes. There's no Shutter Priority, Aperture Priority, or Manual modes?these usually appeal to more advanced photographers.

If you don't know a lot about photographic terms, or find that your pictures aren't coming out how'd you like them, hit the Help button. You can't miss it?the button is just a big question mark. It brings up an online guide that explains the various functions of the camera and also provides tips for shooting better photos.

If you're a little more advanced, Program mode does give you a modicum of control. When in this mode you can adjust the Metering pattern, ISO, White Balance, Exposure Compensation, Focus Range, and Drive Mode. These are all accessed via an overlay software menu that is launched via the Function button. Other control buttons allow you to control the flash, start video recording, toggle what is displayed on the rear LCD, and engage Canon's Eco mode?a new function that promises improved power management to prolong battery life.

The A1400 uses AA batteries?this can be a pro or con depending on your point of view. If you're an occasional shooter you won't mind spending money on the occasional set of new alkaline cells, or if you use the camera more regularly you can opt to invest in rechargeable batteries. One thing's for sure, you'll be able to find AAs for sale almost anywhere?so you won't be stopped from taking photos if you forgot to charge a battery or if you are miles away from a power outlet. (Just make sure to carry a few extra sets with you!)

Performance and ConclusionsCanon PowerShot A1400 : Benchmark Tests
The A1400 isn't a speedy camera, but its performance isn't out of line compared with others in its price range. It starts and shoots in 2.1 seconds, records a very reasonable 0.2-second shutter lag, and rattles off a photo every 1.4 seconds in continuous drive mode. Canon's similar PowerShot A2600 is a bit quicker to start and shoot at 1.7 seconds, records a 0.3-second shutter lag, and also captures a photo every 1.4 seconds.

I used Imatest to check the sharpness of images captured by the A1400. It exceeds the 1,800 lines per picture height that we require of a sharp image, scoring 2,060 lines on the test. It's an impressive result, besting the 1,755 lines per picture height managed by the Samsung DV150F.

Imatest also checks photos for noise, which can add unwanted graininess to photos and reduce detail. Like most budget cameras, the A1400 uses a CCD image sensor; as a rule of thumb, CCD sensors do not do as well at higher ISO settings as more expensive CMOS sensors. If you're looking for a compact camera that does well in low light, a CMOS model like our Editors' Choice superzoom Sony Cyber-shot HX30V is a better choice?but it costs about four times as much as the A1400.

Not surprisingly, the camera is only able to keep noise below 1.5 percent through its lowest sensitivity setting, ISO 100; pushing to ISO 200 results in 1.6 percent noise. Photos at ISO 400 hit 1.9 percent, but still retain a good amount of detail. Image quality starts to break down at ISO 800, so you'll want to avoid pushing the ISO setting that high?use the flash instead. The Olympus VR-340, a budget camera with a long zoom lens and a CCD sensor, keeps noise below 1.5 percent through ISO 800, but detail is poor enough at that setting that we recommended keeping it at ISO 400 or below when we reviewed it last year.

Video is recorded in 720p25 quality in QuickTime format. Cameras with CCD sensors are generally incapable of recording 1080p footage, so there's no surprise that it's not an option. The footage looks a little bit grainy, and the camera only has access to a digital zoom when it's recording. Standard SD, SDHC, and SDXC memory cards are supported.

The Canon PowerShot A1400 isn't the most full-featured camera that we've tested. The budget-priced compact can hold its own against competitors in good light; just don't expect to take photos in dim situations without the aid of the flash. It's small enough to slide into a shirt pocket, has a fairly good optical viewfinder, and a shutter lag that is short enough so that you won't miss a shot. The Help mode is a great feature for occasional snapshooters, and at just over $100 it's an easy purchase to make. If you're a serious photographer, or simply have more money to spend, consider a higher-end camera with a longer zoom like the Sony HX30V, but if you're in the market for an inexpensive, entry-level shooter, the A1400 is an excellent choice. Based on its price, image quality in good light, and optical viewfinder, it earns our Editors' Choice award for budget cameras.

Source: http://feedproxy.google.com/~r/ziffdavis/pcmag/~3/l4UIbzuM_Jw/0,2817,2417072,00.asp

michele bachmann donald trump Election 2012 map Election Results Map Early voting results BBC Dick Morris

Tuesday, April 2, 2013

India's top court dismisses Novartis plea for Glivec patent

By Suchitra Mohanty and Kaustubh Kulkarni

NEW DELHI/MUMBAI (Reuters) - India's top court has dismissed Swiss drugmaker Novartis AG's attempt to win patent protection for its cancer drug Glivec, a serious blow to Western pharmaceutical firms who are increasingly focusing on India to drive sales.

The decision also sets a benchmark for several intellectual property disputes in India, where many patented drugs are unaffordable for most of its 1.2 billion people, 40 percent of whom earn less than $1.25 a day.

India's domestic drugs market is the 14th largest globally, but with annual growth of 13-14 percent and the world's second biggest population, it has massive potential at a time when traditional developed markets have slowed down.

The Supreme Court's landmark ruling is likely to affect several other companies and their branded medicines.

Pfizer Inc's cancer drug Sutent and Roche Holding AG's hepatitis C treatment Pegasys lost their patented status in India last year, and Monday's ruling will make it tougher for them to win back patent protection.

"Henceforth, multinational pharma companies are likely to want that their patents are first recognized in India before launch of a patented product," said Ameet Hariani, managing partner at Mumbai-based law firm Hariani & Co.

Novartis has previously that said it needs legal certainty if it is to plan further investment in drug research in India.

The ruling is a boost for healthcare activists who want the government to make medicines cheaper in a country where patented drugs constitute under 10 percent of total drug sales.

Novartis has been fighting since 2006 to win a patent for an amended form of Glivec. In 2009 it took its challenge against a law that bans patents on newer but not radically different forms of known drugs to the Supreme Court.

India has refused protection for Glivec on the grounds that it is not a new medicine but an amended version of a known compound. By contrast, the newer form of Glivec has been patented in nearly 40 countries including the United States, Russia and China.

The Supreme Court decided that Glivec does not satisfy the "novelty" aspect, Pravin Anand, lawyer for Novartis, told reporters.

Shares in Novartis India Ltd, the Indian unit of the drugmaker, fell over 5 percent after the verdict. They were down 4.63 percent at 571.10 rupees by 1:28 a.m. EDT.

(Editing by Daniel Magnowski)

Source: http://news.yahoo.com/indias-top-court-dismisses-novartis-petition-glivec-patent-052240790--finance.html

Nexus 4 Girl Meets World Jason Babin Nolan Daniels angus t. jones monday night football monday night football

Smartisan OS unveiled in China, takes a fresh approach to Android UI design

Smartisan OS unveiled in China, takes a fresh approach on Android UI design

Following the likes of Meizu and Xiaomi, another star is born in the Chinese smartphone market. In fact, some may already know the man behind this new Android-based Smartisan OS: Luo Yonghao, a self-taught ex-English teacher (and later becoming the principal of his own English school until last August), as well as the founder of influential blogging platform Bullog.cn (now Bullogger.com) and the chairman of Chinese font studio Redesign. Luo is also a relentless consumer advocate, with his most notable act being his fridge-smashing protest outside Siemens' Beijing headquarters in November 2011, in order to highlight the company's refusal to acknowledge their faulty fridge doors (all explained in the "More Coverage" link at the bottom).

Already a bit of a legend in China, the 40-year-old serial entrepreneur announced last April that he had formed Smartisan Co., Ltd. to work on a smartphone OS, and that it would shame all manufacturers with its revolutionary user experience. Having missed the December target that he promised, Luo eventually took the stage in Beijing last week to spend well over three -- yes, three -- hours going through the thought process behind his Smartisan OS, so bear with us here.

Filed under: ,

Comments

Via: Engadget Chinese

Source: Smartisan (in development)

Source: http://www.engadget.com/2013/04/01/smartisan-os-luo-yonghao/

baby found alive in morgue rockies second degree murders bobby petrino brian dunn vin scully petrino fired

New drug target companion prognostic test for hormone therapy resistance

Apr. 1, 2013 ? A team of international cancer researchers led by Dr. Mathieu Lupien at the Princess Margaret Cancer Centre, University Health Network, has identified the signalling pathway that is over-activated in estrogen receptor (ER)-positive breast cancer cells that are resistant to hormone therapies such as tamoxifen, aromatase inhibitors or fulvestrant.

Resistance to hormone therapy is reported in almost half of ER-positive breast cancer patients and no cure is currently available. The fact that the pathway, called Notch, is a drug target creates hope for a new therapy.

The findings, published online today in the Proceedings of the National Academy of Sciences, "provide a new therapeutic target against hormone therapy-resistant breast cancers and a companion test to identify tumours that would become resistant" says Dr. Lupien, a scientist at the Ontario Cancer Institute, the research arm of the cancer centre, and an Assistant Professor in the Department of Medial Biophysics, University of Toronto. He specializes in epigenetics of hormone-dependent cancers -- the study of non-genetic determinants of cellular identity that can also be altered to initiate or modify disease.

"In studying the epigenetics of hormone therapy resistance, we discovered that breast cancer cells behave like a chameleon. Indeed, as the chameleon changes its skin colour to camouflage itself and evade predators," says Dr. Lupien, "breast cancer cells change the appearance of their DNA through epigenetics to evade, in this case, hormone therapy." In so doing, hormone therapy-resistant breast cancer cells highlight regions of their DNA related to the Notch pathway.

At the molecular level, the research team characterized the epigenetic appearances of the DNA of drug-resistant and drug-responsive breast cancer cells. The team discovered that the Notch signaling pathway plays the predominant role in drug-resistant breast cancer cells even if cells remain positive for ER.

"This is a highly promising discovery that could rapidly translate in the clinic. Drugs against the Notch pathway are available." says Dr. Lupien. The key will be to test the efficacy of these drugs against hormone therapy resistance in breast cancer.

The research was funded by the National Cancer Institute, the American Cancer Society and the Ontario Institute for Cancer Research. Dr. Lupien's research is also supported by The Princess Margaret Cancer Foundation.

Share this story on Facebook, Twitter, and Google:

Other social bookmarking and sharing tools:


Story Source:

The above story is reprinted from materials provided by University Health Network.

Note: Materials may be edited for content and length. For further information, please contact the source cited above.


Journal Reference:

  1. Luca Magnani, Alexander Stoeck, Xiaoyang Zhang, Andr?s L?nczky, Anne C. Mirabella, Tian-Li Wang, Bal?zs Gyorffy, and Mathieu Lupien. Genome-wide reprogramming of the chromatin landscape underlies endocrine therapy resistance in breast cancer. Proceedings of the National Academy of Sciences, 2013; DOI: 10.1073/pnas.1219992110

Note: If no author is given, the source is cited instead.

Disclaimer: This article is not intended to provide medical advice, diagnosis or treatment. Views expressed here do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/~3/pUzj0i7pl44/130401151035.htm

nyc marathon willie nelson khloe kardashian Wreck It Ralph Hunter Hayes Movember USC shooting

CAAMFest Concludes 11 Days of Inspired Storytelling and ...

?

CAAMFest

SAN FRANCISCO?? CAAMFest?successfully concluded after 11 days of expanded programs in film, music and food featuring over 100 films and a variety of music performances, food salons and media workshops. Formerly the San Francisco International Asian American Film Festival, the largest of its kind, CAAMFest has extended its scope through original forms of artistic expression and community engagement. The festival welcomed over 20,000 participants, including over 230 filmmakers, artists, musicians, culinary creatives and industry professionals from around the world. Highlighting programs from 21 countries, festival attendees participated in a multitude of interactive live events that combined film, music and community dialogue ? distinct experiences that exemplify CAAM?s signature style. This year?s film program consisted of 21 narrative films, 19 documentaries and 50 short films as well as 6 world premieres, 7 U.S. premieres and 14 San Francisco premieres.

?

CAAMFest Highlights

This year?s winners include:?DEAD DAD, director Ken J. Adachi for Comcast Narrative Competition;?SEEKING ASIAN FEMALE,?director?Debbie Lum for Documentary Competition;?SUNSET STORIES,?directors?Ernesto Foronda and Silas Howard for Emerging Filmmaker Award;?THE RELUCTANT FUNDAMENTALIST,?director?Mira Nair for Best Narrative Audience Award;HARANA,?director?Benito Bautista for Best Documentary Audience Award;INHERITANCE,?director?Aggie Ebrahimi Bazaz for Loni Ding Award; and?FACING THE MIRROR, producer Sara Khaki for Ready, Set, Pitch!

San Francisco native Evan Jackson Leong?s LINSANITY opened with a sold-out San Francisco premiere at the Castro Theatre. CAAM rolled out the red carpet for director Evan Jackson Leong, producers Allen Lu, Brian Yang and Christopher Chen, as well as Jeremy Lin?s parents Gie-ming and Shirley Lin and Lin?s former coaches and teammates. The night continued at the Asian Art Museum for the Opening Night Gala with an exclusive viewing of?China?s Terracotta Warriors?and?culinary creations from Dosa, Namu Gaji, Serpentine, Distillery 209, and Socola Chocolates.

Jeremy Lin's family and Linsanity director Evan Leong (fourth from right) at the Opening Night premiere. Photo by Michael Jeong.

Jeremy Lin?s family and Linsanity director Evan Leong (fourth from right) at the Opening Night premiere. Photo by Michael Jeong.

For its Centerpiece Presentation, CAAMFest was thrilled to bring Deepa Mehta?s adaptation of Salman Rushdie?s MIDNIGHT?S CHILDREN to the Bay Area. Actors Satya Bhabha and Samrat Chakrabarti were present for a heartfelt discussion following the screening at a packed Castro Theatre.

This year?s Retrospective highlighted the work of prolific Singaporean filmmaker Royston Tan. Known as the ?bad boy? of Singaporean Cinema, Tan presented his latest work, OLD ROMANCES, and provided audience members insight into his artistic process. Also present was Chin Hock Seng, Consul-General of Singapore in San Francisco, and several members of the San Francisco Consular Corps, including the consuls general of Japan, The Phillipines, Cote d?Ivoire and others. The Retrospective was funded by the Academy of Motion Picture Arts and Sciences,

As the launching point for CAAMFest?s exploration of the societal repercussions and cinematic incarnations of the Korean War, MEMORY OF FORGOTTEN WAR, directed by Deann Borshay Liem and Ramsay Liem, followed the stories of four Korean Americans who experienced firsthand the devastation and aftermath of the Korean War. The screening was paired with an evocative presentation by acclaimed performance artist Dohee Lee, rapper/singer Skim and Korean women?s drumming group Jamaesori.

The festival planted fresh roots at the historic Great Star Theatre and struck a chord with Chinatown locals, many who used to visit the theater back when it still played Chinese Opera. GO GRANDRIDERS and COMRADE KIM GOES FLYING were among the highly anticipated screenings at this iconic venue.

This year?s Closing Night film featured the official launch of CAAM?s new home movies initiative, MEMORIES TO LIGHT: ASIAN AMERICAN HOME MOVIES. Local filmmaker Mark Decena narrated a deeply personal story about his unique Japanese-Filipino heritage. Against the backdrop of Decena?s intimate 8mm home movies and accompanied by a live score from musician Davin Agatep, this presentation exemplified CAAMFest?s dedication to creating a shared community experience by bringing stories to light.

World Premieres?at the Festival included E HAKU INOA: TO WEAVE A NAME (director Christen Hepuakoa Marquez, USA), LET?S PLAY MUSIC! SLACK KEY WITH CYRIL PAHINUI & FRIENDS (director Na?alehu Anthony, USA), MEMORY OF FORGOTTEN WAR (directors Deann Borshay Liem & Ramsay Liem, USA), NICE GIRLS CREW 2 (director Tanuj Chopra, USA), SEEKING HAVEN (directors Hein S. Seok, Lee Hark-joon & Dongkyun Ko, USA), and SOMEONE I USED TO KNOW (director Nadine Truong, USA).

?

New Directions

In collaboration with the Asian Art Museum, CAAMFest marked the launch of its New Directions program with the West Coast premiere of Amrit Singh?s film DOSA HUNT, chronicling seven musicians? search for the perfect dosa in New York City. Following the screening, guests were treated to a special set by Indian Bastards from Hell (featuring members of Das Racist) as well as local food trucks, The Dosa Republic and Frozen Kuhsterd.

CAAMFest Salons brought local musicians and chefs to share their craft and engage with the audience in symposium-style panels. MIXING MASALA featured San Francisco?s own chai wallah, Paawan Kothari of The Chai Cart, who shared her insights on creating unique spice mixes and adapting traditional techniques for any kitchen. The (BITTER)SWEET Salon showcased Wendy Lieu of Socola Chocolates and Lisa Murphy of Sosu Artisan Sauces? in a demonstration on the art of making chocolate and srirachup (sriracha ketchup). The GROOVE SALON brought together DJ Vinroc and local festival favorite Goh Nakamura for a jam session filled with music samplings and a taste of the creative process.

CAAM held a community dialogue at the KQED headquarters designed to discuss and inspire themes for ASIAN CHOPS (working title), the upcoming collaboration between CAAM and KQED on the Asian American food experience. Filmmaker Grace Lee, PBS Food?s Marc Matsumto, Attic Restaurant?s Tim Luym and KQED?s Louise Lo were in attendance with Leslie Sbrocco (CHECK, PLEASE! BAY AREA) as moderator.

DIRECTIONS IN SOUND, CAAMFest?s premier music event, has traditionally featured pioneers and up-and-coming Asian American artists from the Bay Area and beyond. This year was no exception, with headliner Cambodian pop-inspired Dengue Fever, San Francisco native Jhameel and DJ-extraordinaire Vinroc.

2013 Comcast Narrative Competition

The Comcast Narrative Competition Award focuses on the depth of contemporary American cinema. From taut thrillers to love stories, this year?s selection is a dynamic showcase that featured an exciting array of filmmakers. The 2013 jury included Marcus Hu, Co-President and Co-Founder of Strand Releasing; Jigar Mehta, Director of Operations at Matter Ventures and previously a reporter and journalist for the?New York Times; and Jennifer Ruppmann, Assistant Director in General Audience Programming at PBS.

Winner, Best Film: DEAD DAD, Director Ken J. Adachi

Jury Statement:?A complex web of family interrelations is beautifully untangled through a thoughtfully paced and brilliantly acted portrait of estranged siblings struggling to cope with the death of their father and find closure. Ken Adachi?s delicate direction gives this talented cast an opportunity to shine as an ensemble.

2013 Documentary Competition

The Documentary Competition is designed to recognize courage and innovation in documentary filmmaking. The documentary jury included Zahra Billoo, civil rights attorney and Executive Director of the San Francisco Bay Area office of the Council on American-Islamic Relations (CAIR); award-winning documentary filmmaker David Grabias; and National Jurist magazine?s most influential dean in legal education, Frank H. Wu, Chancellor and Dean of University of California Hastings College of Law.

Winner, Best Film: SEEKING ASIAN FEMALE, Director Debbie Lum

Jury Statement:?An engaging, lighthearted look at the serious issues of race, power and gender in the global economy. SEEKING ASIAN FEMALE tells the story in a way that compels the audience to wonder how it will turn out. The narrator herself is drawn into the story of a potentially creepy but eventually sympathetic older man who finds love on the Internet in the form of a Chinese woman half his age.

2013 Emerging Filmmaker Award

Our newest award category, the Emerging Filmmaker Award, surveys the domestic and international pool of emerging filmmakers. The jury included Tanuj Chopra, Director of?Nice Girls Crew?and previous winner of CAAM?s Best Narrative with?Punching at the Sun; Jane Kim, member of the Board of Supervisors, representing District Six in San Francisco; and acclaimed documentary film editor Jean Tsien.

Winner: SUNSET STORIES, Directors Ernesto Foronda and Silas Howard

Jury Statement:?It was a difficult decision but we felt SUNSET STORIES presented a diverse vision with compassionate characters and heartfelt storytelling. This year, we felt the award should go to a dedicated filmmaker holding the torch for the Asian American film movement. Every submission in this category has its merits yet SUNSET STORIES? effort to present a pluralistic vision of American society won our hearts and our decision.

2013 Audience Awards

The Audience Award gives the valued members of our audience the honor of selecting their favorite films of the festival. The 2013 Audience Award winners are:

Winner, Best Narrative Feature: THE RELUCTANT FUNDAMENTALIST, Director Mira Nair

Winner, Best Documentary Feature: HARANA, Director Benito Bautista

Producer Fides Enriquez?s Statement:?HARANA is our first full-length feature documentary and we are so honored to be part of this year?s festival. ?On a personal level, I am so inspired to create more full-length documentaries about Philippine vanishing cultures and traditions. HARANA was my ?training?, and I?m so happy the movie resonated with the audience. ?It is even more poignant to us given that one of the haranistas featured in the film, Felipe Alonzo, just passed away this weekend (on March 24). I feel that we honored him as best we can with this movie.

2013 Loni Ding Award in Social Issue Documentary

Loni Ding (1931-2010) was a veteran independent television producer and university instructor. She devoted her life to advocacy and public service, and played a key role in the founding of several public media organizations, including the Center for Asian American Media (CAAM) and the Independent Television Service (ITVS). Her award-winning productions, which include?Nisei Soldier?(1984),The Color of Honor?(1988), and?Ancestors in the Americas?(1997), were among the first to document early Asian immigrant histories. The Loni Ding Award was created in 2011 to honor the film and filmmaker that most reflects Loni?s passion and commitment.

Winner: INHERITANCE, Director Aggie Ebrahimi Bazaz

CAAM is proud to announce the third annual Loni Ding Award winner and its prize of $1000 goes to Aggie Ebrahimi Bazaz and her short film INHERITANCE, which investigates what?s lost, gained and carried over in the process of diaspora.

Ready, Set, Pitch!

CAAM continued its venture into the world of live funding with its Ready, Set, Pitch! presentation at this year?s CAAMFest. With help from online YouTube voting, five media producers with projects in development were selected to present their pitch to a jury of media professionals and a live festival audience. The jury included Lee Ann Kim, Executive Director of Pacific Arts Movement; Shaady Salehi, Executive Director of Active Voice; and Jigar Mehta, Director of Operations of Matter Ventures.? The jury scored the projects on story, pitch presentation, and audience engagement strategy.

Winner: FACING THE MIRROR, Producer Sara Khaki

This year?s winner is producer Sara Khaki with her project FACING THE MIRROR about an Iranian-born American plastic surgeon offering hope and healing to those whose lives have been ravaged by war. As the winning pitch, Khaki was awarded $5000 in CAAM Research and Development funding.

Guests In Attendance

Special guests in attendance at this year?s festival included: actor/director Joan Chen (SHANGHAI STRANGERS); director/writer Jennifer Phang (ADVANTAGEOUS); director Nicholas Bonner (COMRADE KIM GOES FLYING); director/writer/producer Amrit Singh, producer/editor Zoe Schack with musicians Himanshu Suri and Ashok Kondabolu (DOSA HUNT); musicians Ethan Holtzman, Zac Holtzman, Chhom Nimol, Senon Williams, David Ralicke and Paul Smith of Dengue Fever; director/writer Benito Bautista and assistant director Emma Francisco (HARANA), director/writer Ernie Park (LATE SUMMER), presenter Mark Decena (MEMORIES TO LIGHT); director/writer Tanuj Chopra with actors Lynn Chen, Michelle Krusiec, Sheetal Sheth, Anthony Ma and Parvesh Cheena; director/writer/producer Debbie Lum (SEEKING ASIAN FEMALE); director/writer Ernesto Foronda (SUNSET STORIES), author Soman Chainani (SCHOOL FOR GOOD AND EVIL); director Evan Jackson Leong and producers Allen Lu, Brian Yang and Christopher Chen (LINSANITY); Yang was also at the festival as an actor in SOMEONE I USED TO KNOW, accompanied by director Nadine Truong and actors Eddie Mui and West Liang.

The festival also continued its Southwest Airlines Student Delegate Program and welcomed 12 university students from across the country to participate in a rigorous program of screenings and private discussions with festival guests. In addition, over 200 delegates representing 15 Asian American film festivals from various U.S. and Canadian cities attended and participated in the Festival?s annual programmers meeting.

CAAMFEST GRATEFULLY ACKNOWLEDGES ITS SPONSORS

CAAMFest is supported in part by the following:?Comcast,?Asian Art Museum,B?stro,?Pacific Islanders in Communications,?Eagle Press,?FilmFest,?Gala Festival Engine,?Southwest Airlines, The?William and Flora Hewlett Foundation, San Francisco?Grants for the Arts/Hotel Tax Fund,?National Endowment for the Arts, San Francisco Foundation and Cal Humanities.?CAAM is supported with major funding from the Corporation for Public Broadcasting.

About CAAM:

CAAM (Center for Asian American Media) is a non-profit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. CAAM does this by funding, producing, distributing and exhibiting works in film, television and digital media. For more information on CAAM, please visit?www.caamedia.org.

Source: http://www.asianweek.com/2013/04/01/caamfest-concludes-11-days-of-inspired-storytelling-and-innovation-in-film-music-and-food/

tri international criminal court ios 5.1 apple tv update new ipad release pregnant jessica simpson international womens day

Video: The state of religion in America (cbsnews)

Share With Friends: Share on FacebookTweet ThisPost to Google-BuzzSend on GmailPost to Linked-InSubscribe to This Feed | Rss To Twitter | Politics - Top Stories News, RSS and RSS Feed via Feedzilla.

Source: http://news.feedzilla.com/en_us/stories/politics/top-stories/295790697?client_source=feed&format=rss

hatchet leah messer freedom riders 9th circuit court of appeals gisele bundchen tom brady randy travis arrested dickens